Saturday 4 August 2012

Module 4 chapter 7

Trapped and pocket features, using transparent materials.



My inspiration for this chapter was centred around my personal research of the seaside.


5/7/1


5/7/2

And from this I played with some ideas for pockets and containment.


5/7/3

The pocket idea on RHS corner is inspired by the shell in 5/7/2

My first sample is a a small flat shell like structure that is enclosed in a shape cut from layers of heat bonded sheers and is inspired by the top left sketch above. The layers were hand stitched together in a spiral, which was then cut and the stitches were used to thread a metal wire through.


5/7/4


5/7/5

The next pocket is a set of three Shibori shapes in metallic organza, which have had Mica flakes inserted into them and then the piece was bonded with bondaweb granules to a pocket of nylon sheer. It was inspired by sea anemones.


5/7/6


5/7/7


5/7/8

I then moved on to trapping small shards of metallic materials and lace between 2 layers of plastic and sealing the edges with a hot iron. Then I added some hand stitch.


5/7/9

And finally I tried the same technique with a plastic sandwich, some lace samples and stitched them together though all layers on the sewing machine.


5/7/10

5 comments:

  1. love all this..boy are working and creating wellxxlynda

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  2. These are looking really great.particularly the shibori pocket which is so evocative of the sea. just realised we had a flying visit to Brighton a couple of weeks ago!

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  3. These are looking really great.particularly the shibori pocket which is so evocative of the sea. just realised we had a flying visit to Brighton a couple of weeks ago!

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  4. These samples are really beautiful Sheila, it's difficult to choose a favourite. Great photos too

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